Films insígnia, polítiques audiovisuals i circulacióels casos de Pa negre, Handia i O que arde

  1. Marta Pérez Pereiro
  2. Marijo Deogracias Horrillo
  3. Mª Soliña Barreiro González
Journal:
Quaderns del CAC

ISSN: 2014-2242

Year of publication: 2021

Issue Title: Cinema, ficció audiovisual i diversitat lingüística

Issue: 47

Pages: 13-24

Type: Article

DOI: 10.34810/QCAC47ID404672 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Quaderns del CAC

Abstract

Cinema in minority languages in Spain has remained invisible due to the difficulties entailed in circulating small films and the need to dub them in order for their inclusion in the Spanish market, where the subtitled original version (SOV) is a minority option. The presence of what we call flagship films, which have won awards at international festivals and exhibited in their original language, contributes to bringing these films some visibility. In this essay, we analyse three cases —Pa negre (2010), Handia (2017) and O que arde (2019)—and the audiovisual policies that made it possible to produce them and give them visibility in festivals and film listings.