El análisis multimodal del anuncio publicitario audiovisual para el aula de Lengua Castellana y Literatura en Educación Secundaria y Bachillerato

  1. Zósimo López Pena
Journal:
Educação & Formação

ISSN: 2448-3583

Year of publication: 2020

Volume: 5

Issue: 3

Pages: 19

Type: Article

DOI: 10.25053/REDUFOR.V5I15SET/DEZ.2839 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Educação & Formação

Abstract

The aim of this article is to propose a methodology for the analysis and understanding of advertising messages in the Spanish Language and Literature classroom during Secondary Education and High School in Spain. Given the semiotic complexity of this type of message, this paper proposes the possibility of carrying out a multimodal analysis that will allow us to unravel the different modes that make up the message and thus reach its overall meaning. In order to achieve this objective, we will first present a section in which we will point out the need to find new forms of analysis for the different forms of advertising. Then, we will propose a theoretical framework around the concept of multimodality and the type of analysis that derives from this discipline. Finally, we will propose the theoretical bases on which to make a multimodal analysis of an audiovisual advertisement.

Bibliographic References

  • AMBRÓS I PALLARÉS, A. La educación en comunicación en el área de lengua de la Educación Secundaria Obligatoria del MEC y Cataluña. ¿Un malentendido?. Lenguaje y Textos, Valencia, v. 23-24, p. 149-168, 2006.
  • ARCONADA, M. Á. Cómo trabajar con la publicidad en el aula: competencia comunicativa y textos publicitarios. Barcelona: Graó, 2006.
  • BATEMAN, J. Multimodal analysis of film within the gem framework. Ilha do Desterro, Florianópolis, v. 64, p. 49-84, 2013. BATEMAN, J.; SCHMIDT, K.-H. Multimodal film analysis: how films mean. New York/London: Routledge, 2012.
  • BORDWELL, D. Figures traced in light: on cinematic staging.Los Angeles/London: University of California, 2005.
  • BORDWELL, D. Making meaning:inference and rhetoric in the interpretation of Cinema. Cambridge: Harvard University, 1989.
  • BORDWELL, D. Narration in the fiction film. Madison: University of Wisconsin, 1985.BORDWELL, D. Poetics of cinema. London/New York: Routledge, 2007.
  • BORDWELL, D. Textual analysis.Enclitic, New York,v.6, n.1, p. 125-136, 1982.
  • ESPAÑA. Real Decreto 1105/2014, de 26 de diciembre, por el que se establece el currículo básico de la Educación Secundaria Obligatoria y del Bachillerato. Boletín Oficial del Estado, Madrid,n. 3, 3 ene.2015.
  • GOFFMAN, E. La presentación de la persona en la vida cotidiana. Buenos Aires:Amorrortu,2012.HALLIDAY, M.A.K. Language as social semiotic. London: Edward Arnold, 1978.HALLIDAY, M.A.K.; MATTHIESSEN, C.M.I.M. An introduction to functional grammar. London: Edward Arnold, 2004.
  • HIIPPALA, T. Modelling the structure of a multimodal artefact. Helsinki: Universidad de Helsinki, 2013. Disponible en: https://helda.helsinki.fi/handle/10138/41736. Acceso el: 20 abr. 2020.
  • INE –Instituto Nacional de Estadística. Encuesta sobre equipamiento y uso de tecnologías de información y comunicación en los hogares. 2019. Disponible en: https://www.ine.es/ss/satellite?l=es_es&c=ineseccion_c&cid=1259925528782&p=1254735110672&pagename=productosyservicios%2fpyslayout.Acceso el:21 feb.2020.INE –Instituto Nacional de Estadística. Equipamiento y uso de TIC en los hogares.2019.Disponible en:https://www.ine.es/dyngs/inebase/es/operacion.htm?c=estadistica_c&cid=1254736176741&menu=ultidatos&idp=1254735976608.Acceso el: 20 abr. 2020.
  • JEWITT, C. Multimodality and literacy in school classrooms. Review of Research in Education, New York, v. 32, n. 1, p. 241-267, 2008.
  • JEWITT, C. Technology, literacy and learning: a multimodal approach. London: Routledge, 2006.JEWITT, C. (Ed.). The Routledge handbook of multimodal analysis. London: Routledge, 2009.
  • JEWITT, C.; BEZEMER, J.; O’HALLORAN, K. Introducing multimodality. London/New York: Routledge, 2016.
  • JEWITT, C.; KRESS, G. (Ed.). Multimodal literacy. New York: Peter Lang, 2003.KRESS, G. Literacy in the new media age. London: Routledge, 2003.KRESS, G. Multimodality. In:KALANTZIS, M.; COPE, B.(Ed.). Multiliteracies: literacy learning and the design of social futures. Routledge: London, 2000.p. 182-202.
  • KRESS, G. Multimodality: a social semiotic approach to contemporary communication. London: Routledge, 2010.KRESS, G. What is mode? In: CAREY, J.(Ed.). The Routledge handbook of multimodal analysis.London: Routledge, 2009.p. 54-67.
  • KRESS, G.; VAN LEEUWEN, T. Colouras a semiotic mode: notes for a grammar of colour. Visual Communication,New York, v. 1, n. 3, s.p., 2002.
  • KRESS, G.; VAN LEEUWEN, T. Multimodal discourse: the modes and media of contemporarycommunication. London: Edward Arnold, 2001.
  • KRESS, G.; VAN LEEUWEN, T. Reading images: the grammar of visual design. London: New York: Routledge, 1996.
  • LIM FEI, V. et al.Teaching visual texts with the multimodal analysis software. Educational Technology Research and Development, v. 63,p. 915-935, 2015.
  • LOMAS, C. La estética de los objetos y la ética de los sujetos. Comunicar, Huelva, v.17, p. 31-39, 2001.
  • LÓPEZPENA, Z. Aproximación àanálise multimodal de produtos audiovisuais: o filme The Way.In: SEMINARIO-ASAMBLEA INTERNACIONAL ASOCIACIÓN DE ESTUDIOS SOBRE DISCURSO Y SOCIEDAD. 2., 2018, Vigo. Conferencia...Vigo: Ediso, 2018.DOI: 10.13140/RG.2.2.21710.36169.
  • LÓPEZ PENA, Z. La publicidad en el aula de Lengua Castellana y Literatura en Enseñanza Secundaria en España: retos y desafíos. Lenguaje y Textos,Valencia,v. 45, p. 89-99, 2017.
  • MACHIN, D. Introduction to multimodal analysis. London: Bloomsbury, 2007.MARTÍNEZ, E. La publicidad y su integración en las aulas. Comunicar, Huelva, v. 3. p. 65-73, 1994.
  • METZ, C. Film language: a semiotics of the cinema. Oxford/Chicago: Chicago University, 1974.
  • METZ, C. La grande syntagmatique du film narratif. Communications, Paris, v. 8, p. 120-124, 1966.MORO, M.M. La publicidad en los curricula de las aulas escolares. 2011. Disponible en: http://www.vamosapublicidad.com/wp-content/uploads/2011/10/publi-en-curricula.pdf Acceso el 3 de febrero de 2020.
  • O’HALLORAN, K. Visual semiosis in film. In: O’HALLORAN, K. L. (Ed.). Multimodal discourse analysis: systemic-functional perspectives.London:England:New York: Continuum, 2004.p. 109-131.
  • O’HALLORAN, K. et al.Challenges and solutions to multimodal analysis: technology, theory and practice. In: FANG, Y.;WEBSTER, J.(Ed.).Developing systemic functional linguistics: theory and application. London: Equinox, 2014a. p. 271-297.
  • O’HALLORAN, K. et al.Challenges indesigning digital interfaces for the study of multimodal phenomena. Information Design Journal, v. 18, n. 1, p. 2-12, 2008.
  • O’HALLORAN, K. et al.Multimodal analytics: software and visualization techniques for analyzing and interpreting multimodal data. In: JEWITT, C. (Ed). The Routledge handbook of multimodal analysis. London: Routledge, 2014b. p. 386-396.
  • O’HALLORAN, K.; TAN, S.; KWAN LIN, M.E.‘Above All’: the myth of ‘dreams’ as advertising tool. In: PENNOCK-SPECK, B.;SAZ RUBIO, M. M.(Ed.). The multimodal analysis of television commercials. Valencia: Universitat de València, 2013.p. 113-135.
  • PANOFSKY, E. Studies in iconology. New York: Oxford University, 1939.
  • ROHLFING, K.et al. Comparison of multimodal annotation tools: workshop report. Gesprächsforschung, v. 7, n. 7, p. 99-123,2006.
  • SANTACRUZ, F.J.; CAMACHO, A. La publicidad: una experiencia en el aula. Comunicar,Huelva,v. 20, p. 142-146, 2003.
  • VAN LEEUWEN, T. Introducing social semiotics. London: Routledge, 2005