Sensación, antiperspectivismo y descorporeización de la mirada. Notas sobre la velocidad en la propuesta epistemológica del cine de vanguardia de los años veinte
ISSN: 2951-6773, 2951-6765
Year of publication: 2022
Volume: 1
Issue: 1
Pages: 113-125
Type: Article
More publications in: Buñueliana: Revista de cine, arte y vanguardias
Abstract
Speed recreation in 20’s avant-garde film could be simply understood as a reflection of filmmakers fascination on new means of transport. Nevertheless, it has been developed in a such complex way that reveals speed recreation as part of a politic program that aspires to defy perspectivism and Enlightened rationalization. Speed works, along with temporal fractures and desubjectivation of filmic experience, as a visual and epistemological iconoclasm, becoming the touchstone of 20’s Avant-garde filmic program. Avant-garde film deploys a series of dialectic that states not only the possibility of subversion through visual but also the impossibility of an everlasting renewal; as a result, it stablishes a deep visual reflection on historicity of senses, historical legibility of artworks and the condition of original in art.