“An artist, first and foremost”. An Interview with Sara Baume

  1. Margarita Estévez-Saá 1
  1. 1 Universidade de Santiago de Compostela, Spain
Revista:
Estudios irlandeses = Journal of Irish Studies

ISSN: 1699-311X

Ano de publicación: 2020

Número: 15

Páxinas: 117-128

Tipo: Artigo

DOI: 10.24162/EI2020-9778 DIALNET GOOGLE SCHOLAR

Outras publicacións en: Estudios irlandeses = Journal of Irish Studies

€ Ver financiamento

Información de financiamento

I wish to acknowledge the grant PGC2018-093545-B-I00 MCIU / AEI / FEDER, UE for the research project ?The Animal Trope?.

Financiadores

Referencias bibliográficas

  • Barcz, Anna. “Posthumanism and Its Animal Voices in Literature”. Teksty Drugie 1 (2015): 248-268.
  • Baume, Sara. A Line Made by Walking. London: Heinemann, 2017.
  • Baume, Sara. Handiwork. Dublin: Tramp Press, 2020.
  • Baume, Sara. spill simmer falter wither. Dublin: Tramp Press, 2015.
  • Baume, Sara. “Eat Or Be Eaten: An Incomplete Survey of Literary Dogs”. The Stinging Fly 30. 2 (Spring 2015). 22 May 2018. https://stingingfly.org/2015/02/01/eat-eaten-incompletesurvey-literary-dogs/
  • Baume, Sara. “Fifty Year Winter”. The Stinging Fly 26. 2 (Winter 2013-14): 53-57. 17 June 2020. https://stingingfly.org/2013/11/01/fifty-year-winter/
  • Baume, Sara. “Green, Mud, Gold”. Granta 135 (Spring 2016): 90-99.
  • Baume, Sara. “Sara Baume’s cautionary tale about what it costs to be a writer”. The Irish Times. 5 February 2015.
  • Baume, Sara. “Solesearcher1”. Davy Byrnes Stories 2014. Dublin: The Stinging Fly Press, 2014. 1-18.
  • Baume, Sara. “Talismans and Tombstones: On Cottages Countryside and Tiny Constructions”. Elementum. A Journal on Nature & Story. Edition Five “Hearth”, 2019.
  • Baume, Sara.“The Infinite Goldfish”. Granta. 5 March 2018. 22 May 2018. https://granta.com/infinite-goldfish-baume/
  • Cregan, Mary. The Scar. Dublin: The Lilliput Press, 2019.
  • Eagleton, Terry. Heathcliff and the Great Hunger: Essays on Irish Culture. London & New York: Verso, 1995.
  • Gleeson, Sinead. Constellations. London: Picador, 2019.
  • Gleeson, Sinead. The Long Gaze Back. An Anthology of Irish Women Writers. Ireland: New Island Books, 2015.
  • Gruen, Lori. “Revaluing Nature”. Ecofeminism: Women, Culture, Nature. Ed. Karen J. Warren. Indiana: Indiana UP, 1977. 356-74.
  • Mcgarry, Marion. The Irish Cottage: History, Culture and Design. Dublin: Orpen Press, 2017.
  • Murphy, Patrick D. “Rethinking the Relations of Nature, Culture, Agency”. Environmental Values 1. 4 (1992): 311-322.
  • O’Connor, Joseph. “Spill simmer falter wither, by Sara Baume: Greatness already Evident”. The Irish Times. 7 February 2017. 22 April 2018 https://www.irishtimes.com/culture/books/spill-simmer-falter-wither-by-sara-baumegreatness-already-evident-1.2094028
  • O’Faolain, Nuala. “Irish Women and Writing in Modern Ireland”. Irish Women: Image and Achievement. Ed. Eiléan Ní Chilleanáin. Dublin: Arlen, 1985. 127-135.
  • Patten, Eve. “Women and Fiction 1985-1990”. Krino 1986-1996: An Anthology of Modern Irish Writing. Ed. Gerald Dawe and Jonathan Williams. Dublin: Gill & Macmillan, 1996. 1-16.
  • Shaffrey, Marua and Walter Pfeiffer. Irish Cottages. Foreword by Alice Taylor. London: Weindenfeld & Nicolson, 1990.
Fonte de datos: Dialnet